Picking Patterns Scedule |
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below the picking
patterns used in my description of fingerpicking |
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Description |
Notation/TAB | MP3 | Video |
Pattern 1, a quite simple pattern without syncopated high notes. |
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Pattern 2, a variation of pattern 1 with a delayed high note. |
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Pattern 3, annother variation with three high notes per measure, the first one delayed. |
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Pattern 4: a variation with four high notes per measure, the first one shorter than the rest, so the high notes 2, 3 and 4 are played between the beats. |
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Example 5: Four measures containing a combination of all patterns listed above. First measure pattern 1, second measure pattern 2, third measure pattern 3 and so on .... |
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Example 6: The first high note is delayed here. Then the high notes are played in constant quarters just like the bass, but between the beats. Makes a nice accompaniment for folk songs, think of "The Boxer". |
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Example 7: The basic flatpicking accompaniment pattern, consisting of downstrokes only. This example is played like flatpickers would do it. |
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Example 8: The same pattern as example 7 but played with the thumbpick (bass notes) and the fingers (high notes). There is a similar oldtime banjo style called "frailing". |
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Example 9: A flatpicking pattern with a down-down-up stroke. The bass note is hit with a downstroke, the high notes as well and then the high notes get an upstroke while the hand swings back up again. |
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Example 10: The same pattern as example 9 but played with a down-up with the bass notes followed by a down-up for the high notes. |
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Example 11: Same pattern as 9 and 10 played with the thumbpick and the fingers again. |
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Example 12: Right Hand: Melody line over the G major chord |
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Example 12b Right Hand: Melody line over the D/F# chord |
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Example 14: Right Hand: Melody line over the C major chord |
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Example 15: Right Hand: Leaving the bass backup for some beats |
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Example 16: Right Hand: Melody line over the E major chord |
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Example 17: Right Hand: Melody line over the A major chord |
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