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Moderator: RB
Es gibt aber auch gute Sachen zwischen Low End und High End:salossi hat geschrieben: Zum Beispiel das UB502 "Mischpult" von Behringer für ca. 35 Ören oder den sm pro audio pr4...
aber bitte erhoffe davon nicht zuviel, das Zeugs ist eigentlich ziemlicher Schrott, der aber meistens irgendwie funktioniert... erwarte auch keinen guten Rauschabstand, für einen vernünftigen Preamp mußt eben schon was mehr hinlegen... für ca. 500 - 1000 Ören kriegst dann schon was einigermaßen vernünftiges von Focusrite oder SPL
Hi Rüdiger,RAc hat geschrieben: ich benutze die Alesis io| 2, das ist wie eine externe über USB anschließbare Soundkarte für den PC mit 2 Mikrofoneingängen, die Phatomspeisung bereitstellt. Die kann man soweit ich weiß auch als Vorverstärker benutzen (nur den Strom von USB brauchst Du halt). Qualität einwandfrei, Preis so um die 100.
Ich weiß nicht, wie die Mackie Mixer aussehen, aber hinsichtlich der Qualität findet man die unterschiedlichsten Aussagen, angefangen von einem Veranstaltungsvertrag, in dem dem Veranstalter detaillierte Vorgaben gemacht werden, u a "keine Low-Budget Mixer (Behringer/Mackie)" zu verwenden, bis hin zu Tests, in denen Behringer-Produkte regelmäßig im oberen Drittel landen und sich gegen deutlich teurere Gerätschaften gut behaupten sollen.Das war ein geschickter Design-Schachzug, da nicht nur die Optik,
sondern auch das Konzept hinter diesen Inline-Mixern sehr
ausgefeilt ist. Behringer hat jedoch andere EQs gewählt (z.B.
keine Vollparametrik) und baut diese Mixer mit einer anderen
Hardware und anderen Komponenten ...
For Immediate Release
Lawrence Y. Iser, Esq.
Greenberg Glusker (310) 201-7411
BEHRINGER SUED FOR CLONING RENOWNED BOSS GUITAR EFFECTS PEDALS
(Los Angeles, February 24, 2005)- Leading electronic musical instrument and equipment manufacturer Roland Corporation ("Roland") has sued Behringer International GmbH and its subsidiaries ("Behringer") to enforce Roland's trade dress, trademark, and other intellectual property rights in and to the famous guitar effects pedals manufactured, distributed and sold by Roland's division, BOSS, as well as other Roland products.
BOSS has long been an industry leader in the design and manufacture of guitar effects pedals, recording equipment and other musical instrument accessories. In addition to their unparalleled sound, the BOSS pedals feature a unique combination of aesthetic design elements which have served to establish BOSS as an instantly-recognizable brand and to distinguish BOSS pedals from pedals manufactured by others.
The Complaint, filed in the United States District Court for the Central District of California, alleges that at the January, 2005 National Association of Music Merchants ("NAMM") industry trade show, Behringer announced the launch of a line of guitar effects pedals which replicate the distinctive design features of the BOSS pedals with such painstaking detail that the Behringer pedals are nearly indistinguishable from the BOSS pedals. Roland contends that this is no coincidence, and that the overall look and feel of the Behringer pedals is intentionally designed to confuse consumers as to the origin, sponsorship or affiliation of the Behringer Pedals, and to capitalize and profit from Roland's success, its impeccable reputation and the goodwill that it has developed over years of hard work.
The Complaint alleges that in an effort to gain industry acceptance of the cloned pedals, Behringer falsely assured industry retailers that the Behringer line of pedals was approved and endorsed by Roland.
Roland's subsidiary and exclusive United States distributor Roland Corporation U.S. has joined the suit as plaintiff. Plaintiffs are suing Behringer for trademark and trade dress infringement, unfair competition and a number of other causes of action aimed at protecting plaintiff's intellectual property rights.
Dennis Houlihan, President of Roland Corporation U.S. commented: "Imitation is not flattery, and is far from sincere, when the subject is Roland's valuable trade dress. Roland has expended monumental effort and substantial amounts to create and promote the design elements of its BOSS line of guitar effects pedals. Behringer's replication of the famous BOSS trade dress has caused extensive damage to Roland and its reputation, and Behringer's false claim that Roland has endorsed Behringer's unadulterated infringement is unconscionable."
